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The Dance Movement
How L.A.'s CONTRA-TIEMPO Uses Dance and Social Justice to Connect Communities and Make a Statement
Text, Photo and Video by Sophie Bress
May 2, 2019
![]() Contra-Tiempo Founding Artistic Director Ana Maria Alvarez offers corrections to the company dancers during rehearsal on March 3, 2019. | ![]() Contra-Tiempo is a collaborative company down to their warm-up, which is led each rehearsal by a company dancer. Alvarez usually warms up with the dancers. |
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![]() Notes are a typical rehearsal occurrence, but for Contra-Tiempo, notes are much more of a conversation. Alvarez (left) offers her suggestions and dancers are able to respond with their own ideas. Dancer pictured is Bianca Medina. | ![]() Alvarez (facing camera) gives rehearsal notes to Contra-Tiempo company dancers (left to right) Bianca Medina, Samad Guerra, Jannet Galdamez, and Diana Toledo. |
![]() This quijada is used in one section of joyUS justUS to accompany the dancers. The quijada is a traditional instrument made from the jaw of a horse, donkey, or mule that is used in Latin America. | ![]() Nathieli Diaz-Martinez rehearses the undulating, slow walks that that allude to immigration in joyUS justUS. |
![]() Contra-Tiempo dancers (left to right) Jannet Galdamez, Samad Guerra, and Bianca Medina practice their Spanish in a work they will perform during their week-long residency in El Salvador. | ![]() Nathieli Diaz-Martinez rehearses a solo section of joyUS justUS. |
![]() Jannet Galdamez organizes costumes before packing them away again for the company's next tour. |
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